Jon Mark Autumn Lp in New York Review
Featuring Sons of Kemet, Pat Metheny, Rosie Frater-Taylor, Julian Lage and more than, all of these outstanding albums were reviewed in the 2021 problems of Jazzwise and all were selected as Editor's Selection
Adam Bałdych Quintet with Paolo Fresu
Poetry
Deed
With 10 original compositions of precisely focussed moods plus 'Hyperballad' by Björk, the compositions that provide the biggest spaces for improvisation – 'I Call up' and 'Open Sky' – number among the album highlights, together with pieces such as 'Grace' using a Renaissance violin (almost a 7th beneath a violin, whereas a viola is a 5th below) whose tone adds a sense of gravitas and profundity in Bałdych's easily. Stuart Nicholson
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Chick Corea Akoustic Band with John Patitucci & Dave Weckl
Live
Concord Jazz
This album was already in the works at the time of Corea'south sudden and unexpected death on 9 February 2021. On it, Corea contributes liner notes where he refers to a ii solar day whirlwind when the trio was reconvened in January 2018 afterwards a long interruption for a quick rehearsal and 2 shows the following evening. This two-CD set is the issue. Stuart Nicholson
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Abdullah Ibrahim
Solotude: My Journey My Vision
Gearbox
This is a record to hear in one long sitting, tracing his journey in all its detail, and remembering each of the themes that he weaves past us, as they will surely reappear, inverse and rethought, as the journey progresses. A masterly achievement. Alyn Shipton
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Ill Considered
Liminal Infinite
New Soil
Ill Considered have pursued an cloak-and-dagger course, releasing ix raw improvised albums – including a Christmas LP, natch – in three years. With new bassist Liran Donin (Led Bib and his ain chiliad Boats projection), Liminal Space is a studio spring forward, with the trio's wild improv now the basis for added arrangements and musicians. Drummer Emre Ramazanoglu'south production simmers down thickly layered arrangements till star guests such every bit Theon Cantankerous and Sarathy Korwar become mere ingredients in a multitudinous ferment; yet the sense of space is still sharply divers, like claustrophobic dub. Nick Hasted
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David Linx
Exist My Guest: The Duos Project
Cristal Records
By turns visceral, touching, transporting and illuminating, this set up of 15 duets featuring the Brussels-born, Paris-based singer, composer and multi-instrumentalist David Linx is a collection that stays with you long afterwards the concluding bar of the extraordinarily powerful 'Como La Cigarra' fades away. Penned past the Argentinean author and composer, Maria Elena Walsh, Linx is accompanied on this particular song past the gorgeous playing of pianist Gustavo Beytelmann. Peter Quinn
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Christian McBride & Inside Straight
Live at the Village Vanguard
Mack Artery
As well as demonstrating the continuing vitality of the tradition in the right hands, this album also celebrates Inside Directly'southward longevity, proudly underlining their annual appearances at the Vanguard since 2007 – a run merely interrupted in 2020. McBride simply solos a couple of times, but the strength of the other soloists (including Allen) is such that you're hardly aware of the head-solos-head construction of these vibrant originals. Brian Priestley
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ERIC BIBB – Love AMERICA
Provogue/Mascot
Eric Bibb (g, v), Selwyn Arnold (org), Eric Galesk, Staffan Astner (thou), Chuck Campbell (lapsteel), Christer Vandola (mand), Billy branch (hca, five), Ron Carter (b), Tommy Sims (b, v, thou), Steve Jordan (d), Shaneeka Simon, Lisa Mills, Big Daddy Wilson, Andre De Lang (v) with Glen Scott (ky, syn, f, g, b, d, perc, v). Rec. engagement non stated
"Without haranguing the listener, Bibb draws deep on a hundred years of American gospel, dejection and 1960s righteous soul to ask profound questions of why so little has changed between the Civil Rights era and the Trump mistake." Andy Robson
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TERENCE BLANCHARD – Absence
Blue Note
Terence Blanchard (t), plus The E-Collective: Charles Aktura (one thousand), Fabian Almazan (p), David Ginyard (b), Oscar Seaton (d) + Turtle Isle Quartet: David Balakirshnan (vn, dir), Gabe Terracciano (vn), Benjamin von Gutzeit (vla) and Malcom Parson (clo). Rec. date non stated
"A dazzling homage to saxophonist Wayne Shorter that combines the interactive flow of the Due east Collective ring he formed in 2016 with the finesse of the Turtle Island String Quartet. Merging his grasp of composition with the small-group Terence Blanchard skills he honed with Art Blakey, the album captures Shorter'southward freewheeling spirit, dramatic narratives and oblique harmonies in full."Mike Hobart
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ANDREW CYRILLE QUARTET – THE NEWS
ECM
Andrew Cyrille (d), Bill Frisell (g) David Virelles (p, syn) and Ben Street (b). Rec. 2020
"Cyrille's often painterly textural invention has always been outstanding, and here he shows a consummate control of low tempo on daringly spacious, sparse textile where he chooses every strike of snare or crash of ride cymbal with the utmost care, as if the notes were punctuation in a letter or exclamation marks in an intimate chat."Kevin Le Gendre
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GERRY GIBBS – SONGS FROM MY FATHER
Whaling City Audio
Gerry Gibbs (d), Chick Corea, Patrice Rushen, Geoff Keezer, Kenny Barron (p), Larry Goldings (kys), Ron Carter, Buster Williams, Christian McBride (b) and Kyeshie Gibbs (d). Rec. 2020
"This fine and devotedly-crafted double album is a vehicle for much thrilling jazz-making by a superb cast, simply it has a rich stream of backstories running through it too. Songs From My Begetter is New York drummer Gerry Gibbs' personal tribute to his 96 year-old father and bop-vibes legend Terry, involving ten months work and 15,000 miles of driving and pandemic-restricted meetings for Gibbs Jnr to involve four star-packed versions of his 9 year-old Thrasher Dream Trio across the U.s.." John Fordham
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PAT METHENY – SIDE-Centre – NYC (V1–Iv)
BMG/Modern Recordings
Pat Metheny (m, yard syn, el b), James Francies (p, org, syn) and Marcus Gilmore (d). Rec. 2019
"Our received notions of Pat Metheny is that there is not one, but two Pat Methenys. In that location's the Pat Metheny that loves jamming, exist information technology on his memorable 80/81, or with his trio on albums such every bit Trio 99 > 00, Trio > Live and Pat Metheny Dave The netherlands Roy Haynes, and there's the Pat Metheny formerly of the Pat Metheny Group and at present custodian of its sound, equally on 2020's From This Place. Having fix the bar incredibly high with the latter album (and more recently with Route to the Sunday), an album of acclaimed classical compositions and arrangements, his electric current project/band Side Eye features young musicians making waves on the current NYC jazz scene." Stuart Nicholson
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REVIVAL ROOM – REVIVAL ROOM
Efpi
Adam Fairhall (org), Marking Hanslip (ts) and Johnny Hunter (d). Rec. 1 and 2 Baronial 2018
"This eponymous debut by Adam Fairhall, Mark Hanslip and Johnny Hunter beard with ideas, delivered with a sly wit and unruffled confidence. Save for a mellow reading of Carla Bley's 'Ida Lupino,' every track here is an original, ranging from Hanslip'southward gospel-tinged ballad 'Day of Rest' to the fractured boogaloo of Hunter's 'April.'" Daniel Spicer
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BRANDEE YOUNGER – SOMEWHERE DIFFERENT
Impulse!
Brandee Younger (hp), Maurice Brown (t), Chelsea Baratz (ts), Anne Drummond (fl), Rashaan Carter, Dezron Douglas, Ron Carter (b), Allan Mednard and Marcus Gilmore (d). Rec. November 2020–Feb 2021
"From the inventive comping in the striking anthology opener 'Reclamation' to the heavy ostinato of the terminal track, 'Tickled Pink', which irrevocably calls to heed 'The Creator Has A Main Plan' from Pharoah's iconic Karma, Brandee Younger's major label debut on Impulse! Records is a piece of work of enormous imagination and mesmerising artistry." Peter Quinn
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XHOSA COLE – M(NO)Westward THEM, K(NO)West U.s.
"Cole has selected some of the most audacious and heady players from his Birmingham hometown to present a compelling exploration of what jazz ways to him..." Eddie Myer
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ANTHONY BRAXTON – QUARTET (STANDARDS) 2020
"Braxton and his ring, which could not be more different to the great 2003 quartet (with ace guitarist Kevin O'Neil), testify the thread of expression binding the Simons and Monks of this world is an understanding of the triumphs and travails of the human condition, from sunlit hope to the somber despair..."Kevin Le Gendre
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ORRIN EVANS – THE MAGIC OF Now
"This session, with one-time Robert Glasper bassist Vicente Archer, John Scofield drummer Bill Stewart, and the exquisitely lyrical and understated young saxophonist Immanuel Wilkins (a stunning protege of Ambrose Akinmusire and Jason Moran) is all the stronger for vaulting and so subtly and economically beyond its deceptively familiar antecedents in the 1950s Absurd School, and Monk/Cedar Walton/Tyner piano postbop..."John Fordham
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KENNY GARRETT – SOUNDS FROM THE ANCESTORS
"Although half a dozen vocalists are featured, they are invariably used to colour the music from within with sustained tones that add body and greater textural shape to the ensembles. Garret comes upwards with viii originals, each quite different and each with programmatic origins..."Stuart Nicholson
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DAVE LIEBMAN AND RICHIE BEIRACH – EMPATHY
"Throughout, the duo bear witness how they can take a kernel of a musical idea and develop and burnish information technology into a spontaneously conceived piece of work that grows and evolves with organic logic..."Stuart Nicholson
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ADI MEYERSON – I Desire TO SING MY Heart OUT IN PRAISE OF LIFE
"From the Sun Ra-evoking opener 'Prelude' onwards, there'south an upbeat and affirmative tone to her music, both in style and content. Meyerson has chosen like-minded collaborators too, each showcased in turn beyond this vi-part suite..."Tony Benjamin
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Gene SEGAL – DOUBLE RAINBOW
"'The Big Push' past Shorter has a shuffle beat and exhibits fusion-ish touches while 'Creole Love Call' gets a rather startling, blues-groove reading. BB King would surely take approved..."Peter Vacher
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SUSANA SANTOS SILVA & TORBJÖRN ZETTERBERG – TOMORROW
"Y'all could compare it to Albert Ayler'south try to detect pure humanity in untrammelled sound, an atavistic, annoying avant-garde. Silva and Zetterberg also are earthworks beneath academic European jazz, improvising towards one-half-grasped meanings deep in the space, soil and soul..."Nick Hasted
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JULIAN SIEGEL JAZZ ORCHESTRA – TALES FROM THE JACQUARD
"Tales From The Jacquard is a very powerful belated big-band debut for an artist who sounds in fine shape to make an enthralling habit of it..."John Fordham
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ALISTER SPENCE TRIO WITH ED KUEPPER – ASTEROID EKOSYSTEM
"The fifteen improvisations here, spread across almost 2 hours, accept a pleasingly catholic quality to them, with Kuepper helping the trio create a kind of swirling celestial skronk..."Kevin Whitlock
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Jaimie Branch – Fly Or Die Live
International Anthem Records
Jaimie Branch (t, v, vibraslap), Lester St Louis (clo, v, tiny cymbal), Jason Ajemian (b, five, egg shakers) and Chad Taylor (d, five, mbira). Rec. 23 January 2020
Past the time of the recording, Branch and her band had reached that perfect point when the textile had been honed to near-perfection but had non nonetheless become overly familiar; and fifty-fifty better, this isn't just a presentation or recreation of two albums in a different (non-studio) surroundings, it's an organic dialogue with them – then new ideas bubble up spontaneously and the ring run with them.Kevin Whitlock
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James Francies – Purest Form
Blue Note
James Francies (p, ky) Joel Ross (vib) Immanuel Wilkins (every bit) Elliott Skinner, Bilal, Peyton (five) Burniss , Traviss (b) and Jeremy Dutton (d). Rec. 2020
What stands out the well-nigh on Purest Course is the fallacious beauty of some of the textures, particularly ballads such as 'Melting' and 'Eyes Wide Shut', where Francies has chosen exactly the kind of disturbingly vaporous synth sounds to resonate with a voice as singular equally that of Bilal. Kevin Le Gendre
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Fabia Mantwill Orchestra – EM.PERIENCE
Self-release
Fabia Mantwill (s, v, comp, arr, cond), 26 slice orch with guests Kurt Rosenwinkel (g), Nils Landgren (tb) and Ben Wendl (s). Rec. date non stated
Yeah, the majority of her orchestra may come from the classical world, but they are given pieces of conceptual and programmatic originality that makes genre distinction irrelevant – it was Duke Ellington, after all, who said, "In that location are only 2 types of music, good and bad," and this most assuredly is of the one-time variety. Stuart Nicholson
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Michael Mayo – Basic
Artistry Music/Mack Avenue
Michael Mayo (v, perc), Andrew Freedman (kys, p, el g), Nick Campbell (el b, el g, synth), Robin Baytas (d), Eli Wolf (prog), Scott Mayo and Valerie Pinkston (v). Rec. August–September 2019
Cut at Figure 8 Recording, Brooklyn, with Grammy-winning producer Eli Wolf (Al Greenish, Norah Jones, The Roots) at the controls, Basic, Mayo'south debut album, is a work of startling originality, presenting a musical sound-world which references everything from The Beach Boys to J Dilla. Peter Quinn
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John McLaughlin – Liberation Time
Abstruse Logix/Mediastarz
John McLaughlin (g, p), Julian Siegel (ts), Oz Ezzeldin (p), Gary Husband (p, ky, d), Étienne Thousand'Bappé, Jerome Regard, Sam Burgess (b), Ranjit Barot, Nicolas Viccaro and Vinnie Colaiuta (d). Rec. Autumn 2020
Other than his ii cogitating solo piano pieces, 'Mila Repa' and 'Shade of Blue', all tracks are the product of multi tracking. But y'all'd never guess 'Lockdown Blues' by McLaughlin's group The 4th Dimension was made this way, such is the group interplay. Stuart Nicholson
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Ulysses Owens Jnr Large Band – Soul Conversations
Outside In Music
Ulysses Owen Jnr (d), Stefon Harris (vib), Walter Cano, Benny Benack 3, Summer Camargo, Giveton Gelin (tpts), Eric Miller, Gina Benalcazar, Wyatt Forhan, Chris Glassman, Seth Weaver, Michael Dease (tb), Alexa Tarantino, Erena Terakubo (as), Diego Riviera, Daniel Dickson (ts), Andy Gatauskas (bs), Takeshi Ohbayashi (p), Yashushi Nakamura (b) and Charles Turner III (v). Rec. December 2019
The repertoire mixes jazz classics with ring-member originals and the accent is on uplift and joyful harmonies laced with the blues. Arrangements are focussed, solo forcefulness high and the showcase brass is every bit tight equally a nut. Mike Hobart
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Matt Ridley – The Antidote
Ubuntu
Matt Ridley (b), Ant Police (g), Alex Hitchcock (ts), Tom Hewson (p) and Marc Michel (d). Rec. October 2019
The guitarist Ant Law adds a fresh electric season to Ridley'due south organic mix of classical, jazz and rock merely it's steered well clear of any jazz-stone hybrid by Ridley. It's ane of the strongest releases past homegrown jazz talent in 2021 so far. Selwyn Harris
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Rubén Blades y Roberto Delgado y Orquesta – Salswing!
Ruben Blades Productions
Ruben Blades (v), Robert Delgado (b, bv), Juan Berna (p), Juan Carlos 'Wichy' Lopez (t), Alejandro 'Chichisin' Castello (t, tb, bs), Francisco Delvecchio, Avenicio Nunez (t), Carlos Ubarte (f, saxes), Carlos Agrazal (as), Ivan Navarro, Luis Carlos Perez (ts), Ademir Berrocal, Raul Rivera (perc), Carlos Perez Bido (timb, perc) plus guests. Rec. March 2021
Here the multi-faceted Blades presents as a Latin-minded large band crooner, giving his swaggering (if loftier register) Sinatra-esque all on standards including a gloriously horn-cocky 'Pennies From Heaven' and Nelson-Riddle-style 'The Fashion Yous Await This evening'. Jane Cornwell
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Archipelago – Echoes To The Sky
New Jazz & Improvised Music Recordings
Faye MacCalman (ts, cl, syn, v), John Pope (b, 5, effects) and Christian Alderson (d, perc).Rec. December 2020
Tyneside trio Archipelago introduced their unique sound on their 2017 debut Weightless: a exciting mix of post-rock drumming, free-bop saxophone and punchy bass guitar riffing spiced with electronica, like 1970s mavericks (and fellow Due north Easterners) Back Door thoroughly updated with an infusion of the indie-jazz sensibility of Polar Bear or Trio VD. This new record expands their musical horizon still farther to include the songs and singing of saxophonist MacCalman. Eddie Myer
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Rosie Frater-Taylor – Bloom
i2i/Bridge the Gap/Bandcamp
Rosie Frater-Taylor (five, m, uke), Chris Hyson, Matt Piper (p), Conor Albert (ky), Hugo Piper, Seth Tackaberry (b) and Steve Taylor (d, perc)
Bloom is differently edged from her debut, On My Mind, which by her own description was "folky" in texture. The singer-songwriter manner remains, but now the melodies are celebratorily poppy as on the opening 'I Think Virtually You'. The vocal range is richer too, a soulish feel having joined with those Joni mode college registers. Andy Robson
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Dave The netherlands – Another Land
Edition
Dave Holland (b, el b), Kevin Eubanks (k) and Obed Calvaire (d). Rec. 2020.
This marks Dave Holland'south return to bass guitar on some tracks (notably a slice called 'The Village' that opens out into a long almost stream-of-consciousness development) along with some of his best recent work on double bass. His solos on tracks such equally 'Grave Walker' and 'Gentle Warrior' are exemplary. Alyn Shipton
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Nigel Toll Organ Trio – Wes Reimagined
Ubuntu
Nigel Price (g), Tony Kofi (every bit), Vasilis Xenopoulos (ts), Ross Stanley (org), Joel Barford (d), Snowboy (perc), Callum Au (arr, tb), plus the Phonograph Effect Strings: Kay Stephen, Anna Brigham (vn), Elitsa Bogdanova (vla) and Chris Terepin (clo). Rec. 7-8 September, 30 September, 20 October 2020
As its title implies, this is Price looking anew at compositions by his hero Wes Montgomery, and re-casting them in ways that he feels Wes might well take considered. Or welcomed. Add together to that, Price's decision to enlist Au to create discrete string arrangements for three of the 10 numbers and then to enlist Snowboy to splice in percussion effects, and you can see that this surpasses anything else that he has done up to now. Peter Vacher
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Lars Danielsson Liberetto – Cloudland
Deed Music
Lars Danielsson (b, cl), Grégory Privat (p), John Parricelli (thousand), Magnus Öström (d, perc) with guests Arve Henriksen (t), Kinan Azmeh (cl). Rec. 2019 & Sept 2020.
On this 4th anthology by the group, Danielsson again comes up with a collection of well crafted original songs, not merely vehicles for improvisation, simply songs in their ain right that need the improvisor respect the songwriter'due south intentions in terms of mood and melody. Each musician is tuned-in to Danielsson's wavelength with players responding to the challenge the context of Danielsson'due south music imposes on them. Stuart Nicholson
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Roxana Amed – Ontology
Sony Music Latin
This 7th anthology from the Buenos Airesborn, U.s.-based vocaliser-songwriter Roxana Amed presents a supremely atmospheric collection of 14 songs. Every bit evidenced by album opener 'Tumbleweed', which vibrates between sweetness and edgy brainchild, what Amed does uncommonly well is to draw the listener in by creating very specific sound-worlds... Peter Quinn
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Belmondo Quintet – Alliance
B Apartment Recordings
The Belmondo brothers have been luminaries of French jazz for several decades at present, busy in any number of musical situations. Their quintet came into being in the late 1980s and this is just the latest of their many albums, admitting with variations in the line-ups. Lionel, born 1963, is the senior partner, some four years older than his blood brother; both were tutored by their late multi-instrumentalist begetter Yvan, to whom they dedicate their last pair of pieces. Fittingly, these take an elegiac quality, the prosaically titled 'Song for Dad' like a sublime lament... Peter Vacher
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Graham Costello's Strata – Second Lives
Gearbox Records
On this, their 2nd album, Graham Costello'southward Strata temper their most turbulent raw-noise excursions with ambient hums, infectious minimalist loops, alternations of lyrically meditative curt interludes and chord-punching rock, thrilling drumming from the leader, and arresting improv, notably from piano star Fergus McCreadie, and guitarist Joe Williamson... John Fordham
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Jihye Lee Orchestra – Daring Mind
Motéma Music
Bursting with ingenious ideas throughout (some might experience even a few too many), Daring Mind sounds similar i of 2021's real standouts, and confirmation of Jihye Lee'south big future in the front rank... John Fordham
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Julian Lage – Squint
Blue Note
Older and wiser, Lage has now been signed to the Blueish Note characterization past Don Was, and he has surrounded himself with his regular working group which debuted on Mack Avenue's Love Hurts in 2019. Wise decision. On 'Bloo'due south Blues' and 'Saint Rose', 2 standout tracks in an album of exemplary originals, Lage, Roeder and Rex demonstrate the all important group empathy to the extent his "guitar trio" has a grouping sound that somehow exceeds its individual component parts... Tony Benjamin
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Anaïs Reno – Lovesome Matter
Straw Records
It's astonishing to recollect that Baton Strayhorn was just 16 when he began to write what was to become his signature tune, 'Lush Life' – a song whose chromaticism and big leaps make information technology ane of the trickiest standards to sing. Recorded in 2020, when she was similarly aged 16, this debut album from Swiss-born, NYC-resident vocalist Anaïs Reno celebrating the music of Strayhorn and Duke Ellington offers a remarkable introduction to a atypical talent... Peter Quinn
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Sons of Kemet – Blackness to the Future
Impulse!
With their borders-down aesthetic, vehement social conscience and sax, tuba and 2-drum-kit combo, the Kemets have always packed a punch. But with opener 'Field Negus' and closer 'Blackness', both featuring lyrics written and spoken by poet Joshua Idehen, sparked by Blackness Lives Affair protests, and with guests ranging from Angel Bat Dawid and Steve Williamson to grime MC D Double East – Blackness to the Futurity has the tightly coiled righteous fury of opuses such equally Attica Blues and Freedom Suite... Jane Cornwell
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Paul Towndrow – Deepening the River
Keywork
Conceived equally a suite to run continuously, this 57-minute composition falls into eleven sections, each of them to some extent following the maritime history of the Clyde since the 17th century. It is a piece to exist listened through in club many times to catch all its nuances and its overall power, and it is a fine achievement for Paul Towndrow and the excellent band he drew together to bring it to life... Alyn Shipton
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Dara Tucker – Dreams of Waking
Dark-green Hill Music
While every vocal covered on vocaliser, songwriter and bandleader Dara Tucker's Dreams of Waking: Music For a Better World is a bona fide classic that has long since been imprinted on our musical consciousness – from the cute recasting of James Taylor'south 'Secret O' Life' to the stripped back piano-vocal arrangement of Randy Newman's 'I Think It's Gonna Pelting Today' – the luminescence and subtlety of the arrangements, together with Tucker'due south remarkable storytelling gift, combine to make each ane audio bracingly fresh...Peter Quinn
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Nik Bärtsch – Entendre
ECM
Nik Bärtsch feels a long manner from jazz, but a lot closer to a freewheeling rhythmic spontaneity on this unexpectedly action-packed set... John Fordham
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Airelle Besson Quartet – Try
Papillon Jeune
Laid down afterward only ii days rehearsal, Try feels effortless, liberating.The exchanges between Besson'southward clean but colourful playing and Sorling'due south wordless singing unfurl over a house foundation of barely there keys and pulsate sticks practical simply so... Jane Cornwell
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Vijay Iyer Trio – Uneasy
ECM
Iyer continues to document the contemporary American experience, with its catalogue of inconvenient truths and dehumanizing facts, with music that deftly sidesteps convention while staying true to all style of far-reaching traditions in Black music... Kevin Le Gendre
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James Brandon Lewis – Jesup Wagon
Tao Forms
This album provides farther confirmation of Lewis' growing artistic stature, every bit he clearly has important things to say socially, culturally and politically, also as a creative drive that keeps resulting in ane notable recording after another... Kevin Le Gendre
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Joe Lovano & Dave Douglas Sound Prints – Other Worlds
Greenleaf Music
Sound Prints' music may reference the archetype free-collective innovations of Shorter, Ornette, and the mid-60s Miles quintet, but their audaciously sophisticated refinement of all that rich history makes them a truly gimmicky jazz band... John Fordham
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Chris Potter Circuits Trio – Sunrise Reprise
Edition Records
Their second CD for Dave Stapleton'due south Edition Records sounds like it has a freshness of purpose; a playfully inventive alluvion of ideas seem to organically and spontaneously period out of Potter'due south ear-communicable new themes... Selwyn Harris
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Wollny/Parisien/Lefebvre/Lillinger – XXXX
ACT
The undertows are oftentimes fiercely, abstractly and sometimes caressingly electronic (Wollny plays electric keys throughout), from the chain-dragging sounds and detonations of 'Somewhere Around Barstow', to the choirlike echoes and huge, chugging grooves of 'Too Bright In Here' or the dreamy harmonies of the but composed slice, Wollny'due south closing 'Nostalgia for the Light'... John Fordham
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Thumbscrew – Never Is Plenty
Cunieform
This formidably talented trio entered the studio to record Anthony Braxton material to celebrate the principal's 75th birthday. But they'd also brought songs of their own and these now sally as Never Is Enough... Always is never enough to have this band (and Braxton) generating the new, the hopeful... Andy Robson
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Susanna Aleksandra – The Siren
Eclipse Music
Here'southward something to warm the center in these dark, distressing times. A new CD from an Estonian singer I'd never previously heard of (apologies to Ms Aleksandra – that actually demonstrates the shameful gaps in my musical knowledge, rather than proverb anything nearly her reputation or talents) falls through my letterbox ane gloomy January morn and… judge what? It'due south an absolute corker!
Kevin Whitlock
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Gary Bartz – JID 006
Jazz Is Dead JID006
Much excitement surrounds JID 006, some other new studio album (following on from last twelvemonth'due south acclaimed Night Dreamer Direct-to-Disc Sessions with Maisha) by octogenarian saxophonist Gary Bartz, whose late-life career has morphed and flourished thanks to such UK-based champions as Gilles Peterson and the product duo of A Tribe Called Quest DJ/producer Ali Shaheed Muhammed and the hip hop composer/producer Adrian Younge. Information technology'southward on their Jazz Is Expressionless label that the much-sampled Bartz releases this new eight-runway collection, having featured on last year's countdown Jazz Is Expressionless 001 alongside other living legends including Roy Ayers and Marcos Valle, all of whom subsequently released studio albums in collaboration with Muhammed and Younge. Just while JID006 showcases Bartz'south mighty chops more than extensively than the Maisha collaboration, this is still very much a collaborative project. Jane Cornwell
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Elephant9 – Arrival of the New Elders
Rune Grammofon
Welcome to an acid-free altered state. The peppery onslaught of 2019'south twin double-alive albums, Psychedelic Backfire I and II, has become a simmer, as Elephant9 detect space, slow, and strengthen their songs' subliminal architecture. They had previously typified a Norwegian scene inspired by Motorpsycho'southward prog-jazz sprawl and Supersilent's impro-dissonance (with Ståle Storløkken the linking, omnipresent eminence). Now Elephant9 deal instead in increment and temper. Each tune is an immersive room of its own, misty tendrils curling round the listener. Nick Hasted
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Will Glaser – Climbing in Circles
Ubuntu
This completes an unusual trilogy of releases, following Glaser'due south duo albums with saxophonist Matthew Herd, then pianist Liam Noble on Climbing in Circles Part 1 and 2, whose near identical tracklists tried to tease out how players' personalities impact material. The MO is loosened here, letting the combined trio relax into musical friendship, playing covers and originals. 'Mood Indigo' is dismantled for inspection, in a thankfully less extreme version of Douglas Gordon's Hitchcock art installation deconstruction 24 60 minutes Psycho, equally Noble slows and delays the melody, only to find it indestructible. Nick Hasted
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Shai Maestro – Human
ECM
Witnessing a performance by Israeli composer/bassist Avishai Cohen at London's Wedlock Chapel in 2011 left abiding memories – not simply of Cohen's celebrated bass power and the communal invitations of his songwriting, only of the participation of the 24 year-quondam Shai Maestro, by and then his pianist for four years. Maestro seemed to anticipate the band's every move, and he was shut to bringing jazz's elastic momentum to Latin-trip the light fantastic toe vibes as dynamically as Cohen'southward former boss Chick Corea. Nine years afterward, with Maestro a much-followed leader of his own ventures since 2012, comes the captivating Human – the 2nd of the pianist's sessions as a leader on the ECM label. John Fordham
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Alexander Hawkins ft. Evan Parker + Riot Ensemble – Togetherness Music For Xvi Musicians
Intakt
And then industrious and productive (his discography is prodigious) is British pianist Alexander Hawkins that information technology's remarkable to annotation that he's non yet historic his fortieth altogether. Released to commemorate the big four-o (on 3 May this year), this remarkable new album is proof positive that Hawkins is a major figure in the global improv scene, both as a composer and instrumentalist. The roots of this latest project – a lengthy unmarried 50-minute piece of half-dozen wildly different 'movements' – prevarication in ii commissions, from Peggy Sutton for BBC Radio 3 and from Aaron Holloway-Nahum for the Riot Ensemble. Togetherness Music consists of reworkings of that material, with the addition of new compositions, played live and recorded in 1 twenty-four hour period. Kevin Whitlock
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Branford Marsalis – Ma Rainey's Black Bottom
Milan Records
This is the official soundtrack to George C. Wolfe'south excellent recent Netflix picture based on the play of the same championship by August Wilson that's set in a music studio in the 1920s. One of the beginning things that comes to heed is that Branford's younger blood brother Wynton would be the more natural choice for the job. Simply Wolfe chose the older Marsalis instead and the saxophonist went about exploring a side of jazz relatively unknown to him previously. The recording is split between Marsalis' authentic period music, scene-setting incidental music and a few signature songs of the 'Mother of the Blues' Ma Rainey, sung past Maxayn Lewis. Maxayn Lewis is as good every bit information technology gets when it comes to budgeted Ma Rainey's growly, bawdy, erotically-charged vocal on merely a few songs including the well-known 'Hear Me Talking to yous' and the earthy title rail. Selwyn Harris
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Pat Metheny – Road to the Dominicus
Modernistic Recordings/BMG
Pat Metheny'southward fascinating odyssey through music continues. Perspicacious as always, his alter of record label to Mod Recordings/BMG presented the opportunity to put frontwards a projection unique in his discography that features two major works he composed and bundled, performed past five of the globe's leading classical guitarists; a solo guitar functioning past Jason Vieaux of Metheny'south four part suite 'Four Paths of Light'; the album centrepiece 'Road to the Sun', a six part suite, performed by the Los Angeles Guitar Quartet and a solo performance by Metheny on 42-string guitar of Arvo Pärt'south 'Für Alina' past way of a 'bonus track'. Stuart Nicholson
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Veronica Swift – This Biting World
Mack Avenue
Veronica Swift's second anthology for Mack Avenue is an eclectic, unforgettable delight, with the vocalizer's out-and-out virtuosity perfectly matched by a ring that tin can take the music in any management they delight. The thirteen-track collection kicks off with Swift'southward intensely moving accept on the Robbie Robertson arrangement of 'This Biting World/On the Nature of Daylight', a brew-upward which originally featured on the soundtrack to Martin Scorsese's Shutter Island. A quartet of bear witness tunes follows which include a dazzling, gear-changing take on 'How Lovely To Be A Woman', with a wonderfully OTT introduction courtesy of pianist Emmet Cohen. Peter Quinn
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Georgia Mancio & Alan Broadbent – Quiet Is The Star
Roomspin Records
A follow-up to their outstanding Songbook album released in 2017, Tranquility Is The Star presents a farther nine beautifully crafted songs from the dream pairing of pianist/composer Alan Broadbent and vocalist/lyricist Georgia Mancio. Produced once again by Andrew Cleyndert, highlights include 'When You're Gone From Me', a vocal that features music originally penned by Broadbent at the tender age of 16 which – over half a century later – takes on a new lease of life here courtesy of Mancio'southward poignant lyrics... Peter Quinn Read the review in the Jazzwise Reviews Database
Menagerie – Many Worlds
Freestyle
This Melbourne-based ensemble, whose last album, 2017'southward Arrow of Time, picked upwards plenty of plaudits over hither (Gilles Peterson, Jamie Cullum, Courtney Pine and Don Letts are all fans), take as their starting point on their third long-player the 1970s sounds of the Black Jazz and Strata-East labels, as well as UK contemporaries like Maisha and Nubya Garcia. The outcome is a bubbles spiritual jazz stew that doesn't pause whatsoever new basis, but which is so well – and lovingly – executed that it's ultimately incommunicable to ignore... Kevin Whitlock
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Yoko Miwa Trio – Songs of Joy
Ubuntu
The new release from Japanese pianist Yoko Miwa has an appealing lockdown title. Who couldn't practice with a little joy right about now? And this 11-cut disc certainly delivers on its titular promise. The recording comes out of Miwa's response to the pandemic, which, the Berklee professor explains, was to compose every solar day. Appropriately there are five new originals, paired with vi covers. 'The 1 emotion that unites all the songs is one of JOY,' Miwa says, not at all misleadingly: there's a excellent, irrepressible energy about these tracks... Robert Shore
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Adrian Younge – The American Negro
Jazz Is Dead
Ambitious in attain, unapologetic in stance, insightful and deeply nuanced, The American Negro is a critique detailing the systematic racism that affects people of colour and a tracing of the evolution of freedom. Delivered across multiple fine art platforms – as a film, a four-part podcast and this 26-runway album – the project is the magnum opus of Adrian Younge, the LA-based producer, composer, multi-instrumentalist, erstwhile law professor and with A Tribe Called Quest'south Ali Shaheed Muhammed, the co-boss of label du jour, Jazz is Dead... Jane Cornwell
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Gretchen Parlato – Flor
Edition
In her outset recording every bit leader since her Grammy-nominated 2013 album Live in NYC, Flor sees vocalist, songwriter and producer Gretchen Parlato stepping with please into an entirely new sound-world created by her core trio of guitarist and musical director Marcel Camargo, percussionist Léo Costa and cellist Artyom Manukyan... Peter Quinn
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Archie Shepp & Jason Moran – Let My People Get
Archieball
In saxophonist Archie Shepp's lengthy and illustrious career, he has had a cord of esteemed piano partners: Horace Parlan, Joachim Kuhn, Siegfried Kessler and Mal Waldron. Each duo has set a loftier artistic bar, only the latest incumbent, Jason Moran, is more than able to pass muster, as well he might given his own extensive experience of working with horn players every bit gifted as Charles Lloyd, Sam Rivers and Greg Osby. Higher up all this new work is a significant run across across generations equally 83-year-one-time Shepp and 45-year-old Moran have had different life experiences and career paths...Kevin Le Gendre
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Charles Lloyd & The Marvels – Tone Poem
Blue Note Tone Poet
The absence of vocals places Lloyd and his ensemble heart phase for a more detailed update on their direction of travel. What becomes articulate – if it was not clear already – is the add-on of the guitar 'choir' provides unexpected depth and resonance to the time honoured configuration of sax plus piano, bass and drums... Stuart Nicholson
Hedvig Mollestad Trio – Ding Dong. You're Dead
Rune Gramophon
That Mollestad would love to have played on Miles' Live/Evil recordings is the giveaway. This is a guitarist whose writing and playing has such intensity, yous fear she may spontaneously combust. Her colleagues in the coven, Bjornstad and Brekken, joyously collaborate in the highly organised commotion... Andy Robson
James Brandon Lewis – Molecular
Intakt
"For many years now, saxophonist James Brandon Lewis has impressed in piano-less trios, and here he maintains high standards in a piano-full quartet. The man at the keyboard is the very talented Cuban Aruan Oritz, and he proves to be an essential component of the group insofar equally the wiry counterpoint that he and the leader weave around each other is spellbinding on occasion. Having said that this is a strikingly clear, interactive ensemble in which drummer Chad Taylor and bassist Brad Jones are doing more than concord down the central rhythm of the material, which veers from the fluid riffing that is part of the broad vocabulary of the advanced to the hard metronomic thrust associated with hip-hop..." Kevin Le Gendre
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De Beren Gieren – Less Is Endless
Sdban Ultra
"There was a justifiable buzz on the live European circuit (retrieve that?) about the young Belgian-based cosmic pianoforte trio De Beren Gieren especially in the starting time one-half of this decade. Now onto their fifth anthology Less is Endless proves they're yet delivering the goods with a lot of verve and freshly imaginative ideas..." Selwyn Harris
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William Parker – Migration Of Silence into and out of the Tone Globe
Centering / AUM Allegiance
"The ascendant strand that runs through the work is the man voice, which features on the majority of the music, with a brilliantly daring solo operation by Lisa Sokolov standing as a pinnacle in the vast landscape of sounds presented. Although mainly associated with the advanced Parker has never been stylistically limited and the forays into blues, post-bop, funk, reggae and African inflected sounds speak much of his identity equally a New Yorker liable to reflect and gloat the immense richness of both African-American culture and a very broad cosmopolitanism.Equally William Parker told Jazzwise in 2020, he had in the years prior to the Covid-19 pandemic been through a period of sustained creativity during which material for whole albums was produced in short order. Already an creative person with a mammoth discography, Parker assembled enough for this sumptuous 10-CD box set up that adds to a number of previous multi-disc packages..." Kevin Le Gendre
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Junk Magic – Compass Confusion
Pyroclastic Records
"Sixteen years after his debut release as Junk Magic, pianist Craig Taborn returns with this remarkable follow-upward, which continues his experiments fusing improvised music and electronic product. Each of the tracks (or "sound chambers" to quote the liner notes) is equally cute, strange and surprising as the last. We hear murmuring reeds and fragile acoustic piano; electronics like tuned medical equipment; over-driven viola shredding and machine-gunning snare drums; fizzes and glitches, abstract rhythms, ancient rattles and gongs hazy with reverb. There are moments of blissful ambient, but at that place are also beats that hit you hard in the stomach..." Thomas Rees
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Janne Mark – Kontinent
Human action
"Impressive in conception, deft in execution, this is highly creative Nordic contemporary music. Various conceptually nonetheless thematically strong in structure, Janne Marker knows a thing or ii about melody, aware that historic period-old themes have a reason for surviving – it'southward considering they connect with humanity, so are handed down the ages to coexist alongside new ones that equally have the ability to move the human spirit..." Stuart Nicholson
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Vinson-Hekselman-Sanchez – Trio Grande
Whirlwind Recordings
"The same New York-based line-up stated in a higher place assembled in 2018, and at short notice recordedIt's Alright With Iiifor the Criss-Cross label under the United kingdom-born saxophonist Will Vinson'southward name. But all three knew there was more to come from the collaboration that hadn't fully transpired on that pretty conventional postbop jazz recording of more often than not standards. So information technology was decided on a articulation leadership and equal share of the writing of all-original material for a new album..." Selwyn Harris
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Kathrine Windfeld Large Band – Orca
Stunt
"The Danish pianist Kathrine Windfeld has a burgeoning reputation effectually Europe as both leader and composer. This is the tertiary album by her multi-national large ring; in addition, she leads a sextet that performs regularly effectually Scandinavia and appeared here last year as a follow upwardly to the well-received UK visit by this ensemble in September 2018.
Backed by plentiful back up from home-land arts organisations, Windfeld's new album of eight original compositions generally evokes her relationship with the ocean, a not uncommon Danish fixation.
I'm trying to resist the thought that she is Denmark's equivalent to Maria Schneider but there are obvious similarities: a personal approach to repertoire, sudden shifts in musical moods and intensity, the skillful deployment of soloists and distintive voicings. All this is evident showtime on 'Undertow', the surging ebb and menses of the ocean mirrored in the writing, with quick motifs and rushing movements, Thueland's grainy alto surfing over an ostinato rhythm and Oseth's ethereal flugel heard over the piece's resolution..." Peter Vacher
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Source: https://www.jazzwise.com/features/article/the-best-jazz-albums-of-2021
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